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MarkMelGen.conf
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MarkMelGen.conf
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# MarkMelGen.conf
# Configuration file for MarkMelgen 1.0.0 python configparser
# Configuration files may include comments, prefixed by specific characters (# by default)
# A configuration file consists of sections, each led by a [section] header,
# followed by key/value (or option/value) entries separated by a specific string (= by default).
# By default, section names are case sensitive but keys are not.
# Leading and trailing whitespace is removed from keys and values.
# Values can be omitted if the parser is configured to allow it.
# if a single option appears twice there will be a DuplicateOptionError.
[paths]
# The directories used. If blank use current working directory.
INPUT_LYRICS_PATH =
# INPUT_LYRICS_PATH = input/lyrics/
# INPUT_MUSIC_PATH =
# INPUT_MUSIC_PATH = input/music/
# INPUT_MUSIC_PATH = input/music/bach/
# INPUT_MUSIC_PATH = input/music/beethoven/
# INPUT_MUSIC_PATH = input/music/chopin/
# INPUT_MUSIC_PATH = input/music/essenFolksong/
INPUT_MUSIC_PATH = input/music/mozart/
# INPUT_MUSIC_PATH = input/music/rachmaninov/
# INPUT_MUSIC_PATH = input/music/trecento/
OUTPUT_PATH =
# OUTPUT_PATH = output/
[filenames]
# The input filenames used.
INPUT_LYRICS_FILENAME = Lyrics.txt
# INPUT_LYRICS_FILENAME = lovePopHappy.txt
# if INPUT_MUSIC_FILENAME is blank then MarkMelGen processes all the .mxl files in the INPUT_MUSIC_PATH directory.
# INPUT_MUSIC_FILENAME = Music.mxl
INPUT_MUSIC_FILENAME =
[markmelgen]
# The key options for the MarMelGen program.
# CADENCE_ALTERNATE_PHRASE_END - if True a cadence is forced on every second line.
CADENCE_ALTERNATE_PHRASE_END = False
# CADENCE_ALTERNATE_PHRASE_END = True
# CADENCE_DUR_MIN - the minimum duration of the cadence final note.
CADENCE_DUR_MIN = 3.0
# CADENCE_SECTION_END - if True a cadence is forced on every section end.
CADENCE_SECTION_END = False
# CADENCE_SECTION_END = True
# CADENCE_TONE_FREQUENCY is a list of cadence tone name and frequency pairs, where the tone name is A to G, and the frequency count is 1 or more.
# if not blank then it overrides the derived Cadence Markov Chain.
# Note: A cadence may be considered as "weak" or "strong" depending on the impression of finality it gives.
CADENCE_TONE_FREQUENCY =
#
# Examples of CADENCE_TONE_FREQUENCY for modes.
# Mode A (Aeolian - minor) -----------------------------------------------------------------------------------------
# A5 (making a chord from the cadence notes)
# CADENCE_TONE_FREQUENCY = [['A', 9], ['E', 6]]
# Am
# CADENCE_TONE_FREQUENCY = [['A', 4], ['C', 5], ['E', 11]]
# A7
# CADENCE_TONE_FREQUENCY = [['A', 6], ['E', 3], ['G', 2]]
# Am7s4
# CADENCE_TONE_FREQUENCY = [['A', 3], ['C', 2], ['D', 2], ['E', 2], ['G', 4]]
# Am and Em
# CADENCE_TONE_FREQUENCY = [['A', 6], ['B', 1], ['C', 1], ['E', 4], ['G', 2]]
# Am and Em7
# CADENCE_TONE_FREQUENCY = [['A', 3], ['B', 7], ['C', 4], ['E', 2], ['G', 1]]
# Mode B (Locrian - discordant tri-tone) --------------------------------------------------------------------------
# CADENCE_TONE_FREQUENCY = [['B', 6], ['F', 3]]
# Mode C (Ionian - major) -----------------------------------------------------------------------------------------
# C9
# CADENCE_TONE_FREQUENCY = [['C', 1], ['D', 2], ['E', 5], ['G', 2]]
# C9
# CADENCE_TONE_FREQUENCY = [['C', 2], ['D', 1], ['F', 2], ['G', 2]]
# C
# CADENCE_TONE_FREQUENCY = [['A', 1], ['C', 5], ['D', 1], ['E', 2], ['F', 1], ['G', 3]]
# C
# CADENCE_TONE_FREQUENCY = [['B', 1], ['C', 6], ['D', 2], ['E', 1], ['F', 2], ['G', 3]]
# Mode D (Dorian - serious, any feeling happy, taming the passions) -----------------------------------------------
# D9
# CADENCE_TONE_FREQUENCY = [['A', 3], ['D', 10], ['E', 8], ['G', 1]]
# D
# CADENCE_TONE_FREQUENCY = [['A', 3], ['C', 1], ['D', 4], ['G', 1]]
# Dm & Am
# CADENCE_TONE_FREQUENCY = [['A', 7], ['C', 7], ['D', 3], ['E', 9], ['F', 2]]
# Mode E (Phrygian - mystic, vehement, inciting anger) ------------------------------------------------------------
# Em
# CADENCE_TONE_FREQUENCY = [['E', 8], ['G', 4]]
# Em7
# CADENCE_TONE_FREQUENCY = [['B', 3], ['D', 1], ['E', 4], ['G', 1]]
# Mode F (Lydian - happy, happy, happy) ---------------------------------------------------------------------------
# CADENCE_TONE_FREQUENCY = [['A', 1], ['C', 1], ['F', 4], ['G', 1]]
# Mode G (Mixolydian - angelical, of youth, uniting pleasure and sadness) -----------------------------------------
# CADENCE_TONE_FREQUENCY = [['A', 1], ['D', 3], ['E', 1], ['G', 4]]
#
# Test example with all pitch frequency=1
# CADENCE_TONE_FREQUENCY = [['C-', 1], ['C', 1], ['C#', 1], ['D-', 1], ['D', 1], ['D#', 1], ['E-', 1], ['E', 1], ['E#', 1], ['F-', 1], ['F', 1], ['F#', 1], ['G-', 1], ['G', 1], ['G#', 1], ['A-', 1], ['A', 1], ['A#', 1], ['B-', 1], ['B', 1], ['B#', 1]]
# Display graphs of pitch, pitch class, durations and a piano roll.
DISPLAY_GRAPHS = True
# DISPLAY_GRAPHS = False
# Display the score in another application (MuseScore).
DISPLAY_SCORE = True
# DISPLAY_SCORE = False
# DURATION_EQ is is a list of duration name and frequency factor pairs, and the frequency multiplier factor is a positive real number > 0.0.
# if not blank then it allows the Markov selection of each duration to be increased when the frequency multiplier factor is > 1.0 or decreased when > 0.0 and < 1.0.
# Only durations present in the input music can be adjusted.
DURATION_EQ =
#
# Examples of DURATION_EQ to bias desired durations without losing others completely
# to increase half notes, and reduce whole notes:
#DURATION_EQ = [['0.5', 100.0], ['1.0', 0.5]]
# to increase quarter-note triplets, and reduce whole notes:
#DURATION_EQ = [['Fraction(1, 3)', 130.0], ['1.0', 0.5]]
# DURATION_SET - a set of musical durations, ordered by length, starting on shortest duration.
# A duration can only be picked if it appears in the INPUT_MUSIC (see the Input histogram Quarter Length graph).
# Note: if you want a tuplet (e.g. '1.3') in your DURATION_SET ensure:
# DUR_RATIONAL is False globally or in desired song section;
# Tuplet is within DUR_LEAST - DUR_LONGEST.
# DURATION_SET = []
DURATION_SET = ['0.25', '0.5', '1.0', '1.5']
# DURATION_SET = ['1/6', '1/3', '2/3', '1.0']
# DUR_LEAST - The minimum duration. 0 = not checked.
# Use a fraction if the duration is inexpressible exactly as a float. A fraction is defined with slash e.g. 2/3
DUR_LEAST = 0
# DUR_LEAST = 1
# DUR_LEAST = 0.25
# DUR_LEAST = 1/6
# DUR_LONGEST - The maximum duration. 0 = not checked.
DUR_LONGEST = 0
# DUR_LONGEST = 2.0
# DUR_LONGEST = 2/3
# DUR_PREV_DIFF - compare duration with previous duration.
# e.g. where 2, duration is valid when >= 1/2 previous and <= 2 x previous etc ,
# where 0 or <= 1, do not compare with previous duration.
DUR_PREV_DIFF = 0
# DUR_PREV_DIFF = 2.0
# DUR_RATIONAL if True any simple rational (beat divides into 2) duration is valid. This can avoid output corruption.
DUR_RATIONAL = True
# DUR_RATIONAL = False
# DUR_TUPLET if True any complex (e.g. beat divides into 3) duration is valid.
DUR_TUPLET = False
# DUR_TUPLET = True
# INSTRUMENT
# Full list of instruments at https://raw.githubusercontent.com/cuthbertLab/music21/master/music21/instrument.py
# right click Save as... and search for instrumentName e.g.
# find "self.instrumentName =" instrument.py
# find "self.instrumentName =" instrument.py | find "Piano"
# INSTRUMENT = Piano
# INSTRUMENT = Accordion
# INSTRUMENT = Acoustic Bass
# INSTRUMENT = Acoustic Guitar
# INSTRUMENT = Alto
# INSTRUMENT = Alto Saxophone
# INSTRUMENT = Banjo
# INSTRUMENT = Baritone
# INSTRUMENT = Baritone Saxophone
# # voice.bass
# INSTRUMENT = Bass
# INSTRUMENT = Bassoon
# INSTRUMENT = Bass Trombone
# INSTRUMENT = Brass
# INSTRUMENT = Celesta
# INSTRUMENT = Clarinet
# INSTRUMENT = Clavichord
# INSTRUMENT = Contrabass
# INSTRUMENT = Contrabassoon
# INSTRUMENT = Dulcimer
# INSTRUMENT = Electric Bass
# INSTRUMENT = Electric Guitar
# INSTRUMENT = Electric Piano
# INSTRUMENT = English Horn
# INSTRUMENT = Flute
# INSTRUMENT = Glockenspiel
# INSTRUMENT = Guitar
# INSTRUMENT = Harmonica
INSTRUMENT = Harp
# INSTRUMENT = Kalimba
# INSTRUMENT = Koto
# INSTRUMENT = Lute
# INSTRUMENT = Marimba
# INSTRUMENT = Oboe
# INSTRUMENT = Ocarina
# INSTRUMENT = Pan Flute
# INSTRUMENT = Piccolo
# INSTRUMENT = Recorder
# INSTRUMENT = Reed Organ
# INSTRUMENT = Saxophone
# INSTRUMENT = Shamisen
# INSTRUMENT = Sitar
# INSTRUMENT = Soprano
# INSTRUMENT = Soprano Saxophone
# INSTRUMENT = Tenor
# INSTRUMENT = Tenor Saxophone
# INSTRUMENT = Timpani
# INSTRUMENT = Trombone
# INSTRUMENT = Trumpet
# INSTRUMENT = Tuba
# INSTRUMENT = Tubular Bells
# INSTRUMENT = Ukulele
# INSTRUMENT = Vibraphone
# INSTRUMENT = Violin
# INSTRUMENT = Violoncello
# INSTRUMENT = Voice
# INSTRUMENT = Xylophone
# # ---------------------------- percussion - unpitched (not melodic, but fun!)
# # On MuseScore 3.6.2 you can change instruments by right clicking a staff,
# # choose staff/part properties, click "Change instruments", select the new instrument and click OK.
# INSTRUMENT = Castanets
# INSTRUMENT = Maracas
# MAX_PHRASE_REST - when analysing rests, ignore rests longer than MAX_PHRASE_REST e.g. ignore initial rests, instrumental solo rests, end of song rests
# MAX_PHRASE_REST = 4.0
MAX_PHRASE_REST = 8.0
# REST_NOTE_LINE_OFFSET if not blank then force given offset for each line. = 0.0 is first beat, 3.0 means start lyric on fourth beat.
REST_NOTE_LINE_OFFSET =
# REST_NOTE_LINE_OFFSET = 0.0
# TEMPO_BPM when 0.0, tempo is taken from INPUT_MUSIC. If INPUT_MUSIC has no tempo, default to 120.0 otherwise use given tempo in quarter note beats per minute
TEMPO_BPM = 0.0
# TEMPO_BPM = 80.0
# TEMPO_BPM = 90.0
# TEMPO_BPM = 100.0
# TEMPO_BPM = 110.0
# TEMPO_BPM = 120.0
# TEMPO_BPM = 130.0
# TEMPO_BPM = 140.0
# TIME_SIG_WANTED if not blank then force given time signature e.g. 4/4
TIME_SIG_WANTED =
# TIME_SIG_WANTED = '3/4'
# Tone filters
# TONE_ASCENT True triggers a sequence of notes rising in pitch when TONE_RANGE_BOTTOM is reached until the middle of the tone range is achieved.
TONE_ASCENT = False
# TONE_ASCENT = True
# TONE_ASCENT_MIN_INTERVAL - (>=2) after TONE_ASCENT_TRIGGERED, sets minimum semitone interval from previous tone
# 2 gives runs up scale, 3 gives ascent leaps, 4 gives ascent chord arpeggio
# TONE_ASCENT_MIN_INTERVAL = 2
TONE_ASCENT_MIN_INTERVAL = 5
# TONE_ASCENT_TRIGGER_EVERY_N_TIMES - only trigger the ascent every Nth time the trigger tone occurs
TONE_ASCENT_TRIGGER_EVERY_N_TIMES = 1
# TONE_ASCENT_TRIGGER_EVERY_N_TIMES = 2
# TONE_DESCENT True triggers a cascade down when TONE_RANGE_TOP is reached until the middle of the tone range is achieved.
TONE_DESCENT = False
# TONE_DESCENT = True
# TONE_DESCENT_MAX_INTERVAL - (>=2) after TONE_DESCENT_TRIGGERED, sets maximum semitone interval from previous tone
# 2 gives runs down scale, 3 gives descent leaps, 4 gives descent chord arpeggio
TONE_DESCENT_MAX_INTERVAL = 2
# TONE_DESCENT_MAX_INTERVAL = 5
# TONE_DESCENT_TRIGGER_EVERY_N_TIMES - only trigger the descent every Nth time the trigger tone occurs
TONE_DESCENT_TRIGGER_EVERY_N_TIMES = 1
# TONE_DESCENT_TRIGGER_EVERY_N_TIMES = 4
# TONE_EQ is is a list of tone name and frequency factor pairs, where the tone name is A to G, and the frequency multiplier factor is a positive real number > 0.0.
# # if not blank then it allows the Markov selection of each pitch to be increased when > 1.0 or decreased when > 0.0 and < 1.0.
TONE_EQ =
#
# Examples of TONE_EQ to simulate modes.
# Note: here a "Mode" is a type of musical scale defined by their starting primary pitch (a final) or tonic.
# The modal final note functions as a relational center. The dominant tone of a mode is a fifth above the final.
# Mode A (Aeolian - minor) -----------------------------------------------------------------------------------------
#TONE_EQ = [['A', 4.0], ['E', 3.0]]
# Mode B (Locrian - discordant tri-tone) --------------------------------------------------------------------------
# TONE_EQ = [['B', 4.0], ['F', 3.0]]
# Mode C (Ionian - major) -----------------------------------------------------------------------------------------
# TONE_EQ = [['C', 4.0], ['G', 3.0]]
# Mode D (Dorian - serious, any feeling happy, taming the passions) -----------------------------------------------
# TONE_EQ = [['D', 4.0], ['A', 3.0]]
# Mode E (Phrygian - mystic, vehement, inciting anger) ------------------------------------------------------------
# TONE_EQ = [['E', 4.0], ['B', 3.0]]
# Mode F (Lydian - happy, happy, happy) ---------------------------------------------------------------------------
# TONE_EQ = [['F', 4.0], ['C', 3.0]]
# Mode G (Mixolydian - angelical, of youth, uniting pleasure and sadness) -----------------------------------------
# TONE_EQ = [['G', 4.0], ['D', 3.0]]
#
# Test example which boosts A, C and E, with other scale tones flat, and reduces accidentals:
# TONE_EQ = [['C-', 0.1], ['C', 4.0], ['C#', 0.1], ['D-', 0.1], ['D', 1.0], ['D#', 0.1], ['E-', 0.1], ['E', 4.0], ['E#', 0.1], ['F-', 0.1], ['F', 1.0], ['F#', 0.1], ['G-', 0.1], ['G', 1.0], ['G#', 0.1], ['A-', 0.1], ['A', 4.0], ['A#', 0.1], ['B-', 0.1], ['B', 1.0], ['B#', 0.1]]
# TONE_INTERVAL = smallest | largest | random.
# The default is smallest interval between tones e.g. choose smallest C4 to B3, not largest C4 to B4
TONE_INTERVAL = smallest
# TONE_INTERVAL = largest
# TONE_INTERVAL = random
# TONES_ON_KEY - if tone is in scale then tone is valid
# TONES_ON_KEY = False
TONES_ON_KEY = True
# TONES_OFF_KEY - if tone is not in scale then tone is valid (currently NA to first/last tone)
TONES_OFF_KEY = False
# TONES_OFF_KEY = True
# TONE_PREV_INTERVAL - maximum number of semitones between notes.
# 0 = Off, do not compare with previous tone
# 1 caused hang together with TONE_SCALE_SET
# 2-3 very limited melodic movement
# 4 limited melodic movement
# 5 - 6 lightly limited melodic movement
# 7 normal melodic movement
# 8 - 9 slightly jumpy melodic movement
# >= 10 jumpy melodic movement, use with TONE_INTERVAL = largest
TONE_PREV_INTERVAL = 0
# TONE_PREV_INTERVAL = 4
# TONE_RANGE_BOTTOM / TONE_RANGE_TOP - change to suit the desired vocal range.
# Note: consider "tessitura" - the best notes in your range.
# Note: The octave number changes at C, e.g. A3, B3, C4, D4, E4 etc. C4 is middle C.
# Female
# Soprano: C4 to C6
# TONE_RANGE_BOTTOM = C4
# TONE_RANGE_TOP = C6
# Mezzo-soprano: A3 to A5
# TONE_RANGE_BOTTOM = A3
# TONE_RANGE_TOP = A5
# Contralto F3 to F5
# TONE_RANGE_BOTTOM = F3
# TONE_RANGE_TOP = F5
# Male:
# Tenor: B2 to B4
# TONE_RANGE_BOTTOM = B2
# TONE_RANGE_TOP = B4
# Baritone: G2 to G4
# TONE_RANGE_BOTTOM = G2
# TONE_RANGE_TOP = G4
# Bass: E2 to E4
# TONE_RANGE_BOTTOM = E2
# TONE_RANGE_TOP = E4
# One octave range
# TONE_RANGE_BOTTOM = C4
# TONE_RANGE_TOP = B4
# My Modal range (from free Piano tuner app)
# TONE_RANGE_BOTTOM = C2
# TONE_RANGE_TOP = C4
# My Falsetto range - Falsetto (adult male head voice) is Italian for false soprano
# TONE_RANGE_BOTTOM = C4
# TONE_RANGE_TOP = C5
# My Modal and Falsetto range
# TONE_RANGE_BOTTOM = C2
# TONE_RANGE_TOP = C5
# Male-Female joint range
# TONE_RANGE_BOTTOM = C2
# TONE_RANGE_TOP = C6
# Greensleeves range:
# TONE_RANGE_BOTTOM = E4
# TONE_RANGE_TOP = G5
TONE_RANGE_BOTTOM = C3
TONE_RANGE_TOP = C5
# TONE_SCALE_SET - a set of musical notes, ordered by fundamental frequency, starting on the note upon which the scale is built.
# A pitch can only be picked if it appears in the INPUT_MUSIC (see the Input histogram Pitch Class graph).
# TONE_SCALE_SET empty list (when not required):
TONE_SCALE_SET = []
# TONE_SCALE_SET with all tones (no tone filtering on input music). Note: filtering is enharmonic so no need to put C# and D- etc in filter:
# TONE_SCALE_SET = ['C-', 'C', 'C#', 'D-', 'D', 'D#', 'E-', 'E', 'E#', 'F-', 'F', 'F#', 'G-', 'G', 'G#', 'A-', 'A', 'A#', 'B-', 'B', 'B#']
# Six note Blues Scale built on A, Degrees(relative to the A minor scale): 1 3 4 4# 5 7 Intervals: 3H-W-H-H-3H-W Pitch classes: 6
# TONE_SCALE_SET = ['A', 'C', 'D', 'D#', 'E', 'G']
# Nine note Blues Scale built on C, Degrees(relative to the C major scale): 1 2 3- 3 4 5 6 7- 7 Intervals: W-H-H-H-H-W-W-H-H Pitch classes: 9
# TONE_SCALE_SET = ['C', 'D', 'E-', 'E', 'F', 'G', 'A', 'B-', 'B']
# TONE_SCALE_ON_ANHEMITONIC - if True, valid scale tones are [1, 2, 4, 5, 6]
TONE_SCALE_ON_ANHEMITONIC = False
# TONE_SCALE_ON_ANHEMITONIC = True
# TONE_SCALE_ON_HEMITONIC - if True, valid scale tones are [1, 3, 4, 5, 7]
TONE_SCALE_ON_HEMITONIC = False
# TONE_SCALE_ON_HEMITONIC = True
# Song sections with optional key values.
# uncomment (remove #) and change values if you want to change the options for a song section.
# The song structure is determined by the section headers in the lyrics file.
#
# Example song structures:
# AAA verse-verse-verse
# ABA verse-chorus-verse or chorus-verse-chorus
# AABA verse-verse-chorus-verse
# ABAB verse-chorus-verse-chorus
#
# ABA form may be combined with AABA form, in compound AABA forms.
# That means that every A section or B section can consist of more than one section (for example Verse-Chorus).
# In that way the modern popular song structure can be viewed as a AABA form, where the B is the bridge.
# AABA {verse-chorus}{verse-chorus}-bridge-{verse-chorus}
# or
# ABABCB verse-chorus-verse-chorus-bridge-chorus
#
# Other sections can be added e.g. intro, outro
# ABBCBD intro-{verse-chorus}{verse-chorus}-bridge-{verse-chorus}-outro
[song_intro]
# The introduction establishes melodic, harmonic or rhythmic material related to the main body of a piece.
# The intro is usually only used once at the beginning of the piece.
# Generally speaking, an introduction contains just music and no words.
# intro key value example 1
# DURATION_SET = ['0.25', '0.5', '0.75', '1.0', '2.0', '3.0', '4.0']
# DUR_LEAST = 0.25
# DUR_LONGEST = 4.0
# DUR_PREV_DIFF = 12.0
# DUR_RATIONAL = True
# DUR_TUPLET = False
# REST_NOTE_LINE_OFFSET = 0.0
# TONES_ON_KEY = True
# TONE_PREV_INTERVAL = 3
# TONE_RANGE_BOTTOM = C5
# TONE_RANGE_TOP = F5
# TONE_SCALE_SET = ['C', 'D', 'E', 'F']
# intro key value example mozart-k156
DURATION_SET = ['0.5', '1.0', '1.5']
DUR_LEAST = 0.5
DUR_LONGEST = 1.5
DUR_PREV_DIFF = 3.0
DUR_RATIONAL = True
DUR_TUPLET = False
REST_NOTE_LINE_OFFSET = 0.0
TONES_ON_KEY = True
TONE_PREV_INTERVAL = 12
TONE_RANGE_BOTTOM = D4
TONE_RANGE_TOP = E5
TONE_SCALE_SET = ['B', 'C', 'D', 'E', 'F', 'G']
[song_verse]
# A verse is a repeated section of a song that typically features a new set of lyrics on each repetition.
# The verse is usually played before the chorus. It may be 64 or 32 beats long.
# verse key value example 1
# DURATION_SET = ['0.25', '0.5', '0.75', '1.0', '1.5', '2.0']
# DUR_LEAST = 0.25
# DUR_LONGEST = 2.0
# DUR_PREV_DIFF = 8.0
# DUR_RATIONAL = True
# DUR_TUPLET = False
# REST_NOTE_LINE_OFFSET = 0.0
# TONES_ON_KEY = True
# TONE_PREV_INTERVAL = 5
# TONE_RANGE_BOTTOM = G3
# TONE_RANGE_TOP = A4
# TONE_SCALE_SET = ['A', 'B', 'C', 'D', 'E', 'G']
# verse key value example 2
# DURATION_SET = ['0.25', '0.5', '1.0', '2.0', '3.0']
# DUR_LEAST = 0.25
# DUR_LONGEST = 3.0
# DUR_PREV_DIFF = 8.0
# DUR_RATIONAL = True
# DUR_TUPLET = False
# REST_NOTE_LINE_OFFSET = 3.0
# TONES_ON_KEY = True
# TONE_PREV_INTERVAL = 7
# TONE_RANGE_BOTTOM = B4
# TONE_RANGE_TOP = D6
# TONE_SCALE_SET = ['A', 'B', 'C', 'D', 'E', 'F', 'G']
# verse key value example 3
# DURATION_SET = ['0.125', '0.25', '0.5', '0.75', '1.0', '1.5', '1/3', '2.0', '2/3', '3.0']
# DUR_LEAST = 0.125
# DUR_LONGEST = 3.0
# DUR_PREV_DIFF = 12.0
# DUR_RATIONAL = False
# DUR_TUPLET = True
# REST_NOTE_LINE_OFFSET = 0.0
# TONES_ON_KEY = False
# TONE_PREV_INTERVAL = 5
# TONE_RANGE_BOTTOM = A4
# TONE_RANGE_TOP = C6
# TONE_SCALE_SET = ['A', 'B', 'C', 'D', 'E', 'F', 'F#', 'G', 'G#']
# verse key value example 4
# DURATION_SET = ['0.25', '0.5', '1.5', '2.0', '3.0', '4.0']
# DUR_LEAST = 0.25
# DUR_LONGEST = 4.0
# DUR_PREV_DIFF = 16.0
# DUR_RATIONAL = True
# DUR_TUPLET = False
# REST_NOTE_LINE_OFFSET = 1.0
# TONES_ON_KEY = True
# TONE_PREV_INTERVAL = 2
# TONE_RANGE_BOTTOM = B3
# TONE_RANGE_TOP = D4
# TONE_SCALE_SET = ['B', 'C', 'D']
# verse key value example 5
# DURATION_SET = ['0.25', '0.5', '1.0']
# DUR_LEAST = 0.25
# DUR_LONGEST = 1.0
# DUR_PREV_DIFF = 4.0
# DUR_RATIONAL = True
# DUR_TUPLET = False
# REST_NOTE_LINE_OFFSET = 1.0
# TONES_ON_KEY = True
# TONE_PREV_INTERVAL = 12
# TONE_RANGE_BOTTOM = G3
# TONE_RANGE_TOP = B4
# TONE_SCALE_SET = ['A', 'B', 'C', 'D', 'E', 'F', 'G']
# verse key value example 6
# DURATION_SET = ['0.5', '0.75', '1.5', '3.0']
# DUR_LEAST = 0.5
# DUR_LONGEST = 3.0
# DUR_PREV_DIFF = 6.0
# DUR_RATIONAL = True
# DUR_TUPLET = False
# REST_NOTE_LINE_OFFSET = 3.0
# TONES_ON_KEY = True
# TONE_PREV_INTERVAL = 3
# TONE_RANGE_BOTTOM = G4
# TONE_RANGE_TOP = C5
# TONE_SCALE_SET = ['A', 'C', 'G']
# verse key value example 7
# DURATION_SET = ['0.25', '0.5', '0.75', '1.0', '1.5', '1/3', '1/6', '2.0', '2/3', '4.0']
# DUR_LEAST = 1/6
# DUR_LONGEST = 4.0
# DUR_PREV_DIFF = 16.0
# # DUR_RATIONAL = False
# DUR_RATIONAL = True
# DUR_TUPLET = False
# # DUR_TUPLET = True
# REST_NOTE_LINE_OFFSET = 3.75
# TONES_ON_KEY = True
# TONE_PREV_INTERVAL = 9
# TONE_RANGE_BOTTOM = G4
# TONE_RANGE_TOP = G5
# TONE_SCALE_SET = ['A', 'B', 'C', 'D', 'E', 'G']
# verse key value example mozart-k156
DURATION_SET = ['0.25', '0.5']
DUR_LEAST = 0.25
DUR_LONGEST = 0.5
DUR_PREV_DIFF = 2.0
DUR_RATIONAL = True
DUR_TUPLET = False
REST_NOTE_LINE_OFFSET = 0.0
TONES_ON_KEY = True
TONE_PREV_INTERVAL = 12
TONE_RANGE_BOTTOM = C3
TONE_RANGE_TOP = E5
TONE_SCALE_SET = ['A', 'B', 'C', 'D', 'E', 'F', 'G']
[song_prechorus]
# The prechorus connects the verse and chorus.
# Also known as a "build", "channel", or "transitional bridge",
# The prechorus typically uses the subdominant (usually built on the IV chord or ii chord),
# which in the key of C Major would be an F Major or D minor chord.
# prechorus key value example 1
# DURATION_SET = ['0.25', '0.5', '0.75', '1.0', '1.5', '2.0', '4.0']
# DUR_LEAST = 0.25
# DUR_LONGEST = 4.0
# DUR_PREV_DIFF = 5.333333333333333
# DUR_RATIONAL = True
# DUR_TUPLET = False
# REST_NOTE_LINE_OFFSET = 2.0
# TONES_ON_KEY = True
# TONE_PREV_INTERVAL = 5
# TONE_RANGE_BOTTOM = G4
# TONE_RANGE_TOP = E5
# TONE_SCALE_SET = ['A', 'B', 'C', 'D', 'E', 'G']
# prechorus key value example 4
# DURATION_SET = ['0.25', '0.5', '0.75', '1.0', '1.5', '2.0']
# DUR_LEAST = 0.25
# DUR_LONGEST = 2.0
# DUR_PREV_DIFF = 8.0
# DUR_RATIONAL = True
# DUR_TUPLET = False
# REST_NOTE_LINE_OFFSET = 0.0
# TONES_ON_KEY = True
# TONE_PREV_INTERVAL = 5
# TONE_RANGE_BOTTOM = G4
# TONE_RANGE_TOP = F5
# TONE_SCALE_SET = ['A', 'B', 'C', 'D', 'E', 'F', 'G']
# prechorus key value example 5
# DURATION_SET = ['0.25', '0.5']
# DUR_LEAST = 0.25
# DUR_LONGEST = 0.5
# DUR_PREV_DIFF = 2.0
# DUR_RATIONAL = True
# DUR_TUPLET = False
# REST_NOTE_LINE_OFFSET = 2.5
# TONES_ON_KEY = True
# TONE_PREV_INTERVAL = 4
# TONE_RANGE_BOTTOM = C4
# TONE_RANGE_TOP = F4
# TONE_SCALE_SET = ['C', 'D', 'E', 'F']
# prechorus key value example 6
# DURATION_SET = ['0.125', '0.25', '0.375', '0.5', '0.75', '1.0', '1/3', '1/6', '2.0']
# DUR_LEAST = 0.125
# DUR_LONGEST = 2.0
# DUR_PREV_DIFF = 16.0
# # DUR_RATIONAL = False
# DUR_RATIONAL = True
# DUR_TUPLET = False
# # DUR_TUPLET = True
# REST_NOTE_LINE_OFFSET = 3.0
# TONES_ON_KEY = True
# TONE_PREV_INTERVAL = 5
# TONE_RANGE_BOTTOM = G4
# TONE_RANGE_TOP = A5
# TONE_SCALE_SET = ['A', 'C', 'D', 'E', 'G']
# prechorus key value example 7
# DURATION_SET = ['0.25', '0.5', '0.75', '1.0', '1.5', '2.0', '3.0']
# DUR_LEAST = 0.25
# DUR_LONGEST = 3.0
# DUR_PREV_DIFF = 12.0
# # DUR_RATIONAL = True
# DUR_RATIONAL = True
# DUR_TUPLET = False
# # DUR_TUPLET = False
# REST_NOTE_LINE_OFFSET = 0.0
# TONES_ON_KEY = False
# TONE_PREV_INTERVAL = 4
# TONE_RANGE_BOTTOM = B-4
# TONE_RANGE_TOP = G5
# TONE_SCALE_SET = ['B-', 'C', 'D', 'E-', 'F', 'G']
# prechorus key value example mozart-k156
DURATION_SET = ['0.5', '1.0', '1.5']
DUR_LEAST = 0.5
DUR_LONGEST = 1.5
DUR_PREV_DIFF = 3.0
DUR_RATIONAL = True
DUR_TUPLET = False
REST_NOTE_LINE_OFFSET = 0.0
TONES_ON_KEY = False
TONE_PREV_INTERVAL = 10
TONE_RANGE_BOTTOM = F#4
TONE_RANGE_TOP = E5
TONE_SCALE_SET = ['A', 'B', 'C', 'D', 'E', 'F#', 'G']
[song_chorus]
# The chorus usually retains the same set of lyrics every time its music appears.
# The chorus is the part that contains the hook or the "main idea" of a song's lyrics and music,
# A refrain is a repetitive phrase or phrases that serve the function of a chorus lyrically,
# but are not in a separate section or long enough to be a chorus.
# chorus key value example 1
# DURATION_SET = ['0.25', '0.5', '0.75', '1.0', '1.5', '2.0', '4.0']
# DUR_LEAST = 0.25
# DUR_LONGEST = 4.0
# DUR_PREV_DIFF = 6.0
# DUR_RATIONAL = True
# DUR_TUPLET = False
# REST_NOTE_LINE_OFFSET = 0.0
# TONES_ON_KEY = True
# TONE_PREV_INTERVAL = 7
# TONE_RANGE_BOTTOM = A4
# TONE_RANGE_TOP = E5
# TONE_SCALE_SET = ['A', 'B', 'C', 'D', 'E']
# chorus key value example 2
# DURATION_SET = ['0.125', '0.25', '0.5', '0.75', '1.0', '2.0']
# DUR_LEAST = 0.125
# DUR_LONGEST = 2.0
# DUR_PREV_DIFF = 8.0
# DUR_RATIONAL = True
# DUR_TUPLET = False
# REST_NOTE_LINE_OFFSET = 0.75
# TONES_ON_KEY = False
# TONE_PREV_INTERVAL = 12
# TONE_RANGE_BOTTOM = C5
# TONE_RANGE_TOP = D6
# TONE_SCALE_SET = ['A', 'B', 'B-', 'C', 'D', 'E', 'F', 'G']
# chorus key value example 3
# DURATION_SET = ['0.5', '1.0', '1.5', '1/3', '2.0', '2/3', '4.0', '4/3']
# DUR_LEAST = 1/3
# DUR_LONGEST = 4.0
# DUR_PREV_DIFF = 6.0
# DUR_RATIONAL = False
# DUR_TUPLET = True
# REST_NOTE_LINE_OFFSET = 0.0
# TONES_ON_KEY = True
# TONE_PREV_INTERVAL = 5
# TONE_RANGE_BOTTOM = E5
# TONE_RANGE_TOP = C6
# TONE_SCALE_SET = ['A', 'B', 'C', 'E', 'F', 'G']
# chorus key value example 4
# DURATION_SET = ['0.25', '0.5', '0.75', '1.0', '2.0', '3.0', '4.0']
# DUR_LEAST = 0.25
# DUR_LONGEST = 4.0
# DUR_PREV_DIFF = 16.0
# DUR_RATIONAL = True
# DUR_TUPLET = False
# REST_NOTE_LINE_OFFSET = 3.5
# TONES_ON_KEY = True
# TONE_PREV_INTERVAL = 9
# TONE_RANGE_BOTTOM = G4
# TONE_RANGE_TOP = E5
# TONE_SCALE_SET = ['A', 'B', 'C', 'D', 'E', 'G']
# chorus key value example 5
# DURATION_SET = ['0.25', '0.5', '1.5']
# DUR_LEAST = 0.25
# DUR_LONGEST = 1.5
# DUR_PREV_DIFF = 3.0
# DUR_RATIONAL = True
# DUR_TUPLET = False
# REST_NOTE_LINE_OFFSET = 1.5
# TONES_ON_KEY = True
# TONE_PREV_INTERVAL = 10
# TONE_RANGE_BOTTOM = D4
# TONE_RANGE_TOP = C5
# TONE_SCALE_SET = ['A', 'C', 'D', 'F', 'G']
# chorus key value example 6
# DURATION_SET = ['0.0625', '0.125', '0.25', '0.375', '0.5', '0.75', '1.0', '1/3', '1/5', '1/6', '2.0', '2/3', '2/5', '4.0', '6/5']
# DUR_LEAST = 0.0625
# DUR_LONGEST = 4.0
# DUR_PREV_DIFF = 10.666666666666666
# # DUR_RATIONAL = False
# DUR_RATIONAL = True
# DUR_TUPLET = False
# # DUR_TUPLET = True
# REST_NOTE_LINE_OFFSET = 0.5
# TONES_ON_KEY = True
# TONE_PREV_INTERVAL = 12
# TONE_RANGE_BOTTOM = A4
# TONE_RANGE_TOP = A5
# TONE_SCALE_SET = ['A', 'B', 'C', 'D', 'E', 'F', 'G']
# chorus key value example 7
# DURATION_SET = ['0.25', '0.5', '1.0', '1/24', '1/6', '3.0']
# DUR_LEAST = 1/24
# DUR_LONGEST = 3.0
# DUR_PREV_DIFF = 12.0
# # DUR_RATIONAL = False
# DUR_RATIONAL = True
# DUR_TUPLET = False
# # DUR_TUPLET = True
# REST_NOTE_LINE_OFFSET = 0.0
# TONES_ON_KEY = True
# TONE_PREV_INTERVAL = 12
# TONE_RANGE_BOTTOM = A4
# TONE_RANGE_TOP = C6
# TONE_SCALE_SET = ['A', 'B', 'C', 'D', 'E', 'F']
# chorus key value example mozart-k156
DURATION_SET = ['0.25', '0.5', '1.5']
DUR_LEAST = 0.25
DUR_LONGEST = 1.5
DUR_PREV_DIFF = 3.0
DUR_RATIONAL = True
DUR_TUPLET = False
REST_NOTE_LINE_OFFSET = 0.0
TONES_ON_KEY = False
TONE_PREV_INTERVAL = 8
TONE_RANGE_BOTTOM = F#4
TONE_RANGE_TOP = D5
TONE_SCALE_SET = ['A', 'B', 'C', 'D', 'F#', 'G']
[song_solo]
# A solo or instrumental break is often found after the middle chorus part.
# In pop music, there may be a guitar solo, or a solo may be performed by a synthesizer player or sax player.
# A solo is a section designed to showcase an instrumentalist.
# solo key value example 1
# DURATION_SET = ['0.25', '0.5', '0.75', '2.0', '4.0']
# DUR_LEAST = 0.25
# DUR_LONGEST = 4.0
# DUR_PREV_DIFF = 4.0
# DUR_RATIONAL = True
# DUR_TUPLET = False
# REST_NOTE_LINE_OFFSET = 3.0
# TONES_ON_KEY = True
# TONE_PREV_INTERVAL = 2
# TONE_RANGE_BOTTOM = B4
# TONE_RANGE_TOP = D5
# TONE_SCALE_SET = ['B', 'C', 'D']
# solo key value example 2
# DURATION_SET = ['0.25', '0.5', '1.0', '2.0']
# DURATION_SET = ['0.125', '0.25', '0.5', '1.0', '2.0']
# # DUR_LEAST = 0.25
# DUR_LEAST = 0.125
# DUR_LONGEST = 0.5
# DUR_PREV_DIFF = 8.0
# DUR_RATIONAL = True
# DUR_TUPLET = False
# REST_NOTE_LINE_OFFSET = 3.0
# TONES_ON_KEY = False
# TONE_PREV_INTERVAL = 7
# TONE_RANGE_BOTTOM = B4
# TONE_RANGE_TOP = C7
# TONE_SCALE_SET = ['A', 'B', 'C', 'D', 'E', 'E-', 'F', 'F#', 'G']
# chorus key value example mozart-k156
DURATION_SET = ['0.25', '0.5', '1.5']
DUR_LEAST = 0.25
DUR_LONGEST = 1.5
DUR_PREV_DIFF = 3.0
DUR_RATIONAL = True
DUR_TUPLET = False
REST_NOTE_LINE_OFFSET = 0.0
TONES_ON_KEY = False
TONE_PREV_INTERVAL = 8
TONE_RANGE_BOTTOM = F#4
TONE_RANGE_TOP = D5
TONE_SCALE_SET = ['A', 'B', 'C', 'D', 'F#', 'G']
[song_bridge]
# A bridge section usually appears after the second chorus.
# A bridge is also known as a "middle eight". The bridge is usually only used once.
# It contrasts with the verse usually ends on the dominant.
# The bridge breaks up the repetitive pattern of the song and keep the listener's attention.
# In a bridge, the pattern of the words and music change."
# bridge key value example 1
# DURATION_SET = ['0.25', '0.5', '0.75', '2.0', '4.0']
# DUR_LEAST = 0.25
# DUR_LONGEST = 4.0
# DUR_PREV_DIFF = 4.0
# DUR_RATIONAL = True
# DUR_TUPLET = False
# REST_NOTE_LINE_OFFSET = 3.0
# TONES_ON_KEY = True
# TONE_PREV_INTERVAL = 2
# TONE_RANGE_BOTTOM = B4
# TONE_RANGE_TOP = D5
# TONE_SCALE_SET = ['B', 'C', 'D']
# bridge key value example 2
# DURATION_SET = ['0.25', '0.5', '1.0', '2.0', '3.0', '4.0']
# DUR_LEAST = 0.25
# DUR_LONGEST = 4.0
# DUR_PREV_DIFF = 12.0
# DUR_RATIONAL = True
# DUR_TUPLET = False
# REST_NOTE_LINE_OFFSET = 0.0
# TONES_ON_KEY = False
# TONE_PREV_INTERVAL = 7
# TONE_RANGE_BOTTOM = C5
# TONE_RANGE_TOP = D6
# TONE_SCALE_SET = ['A', 'B-', 'C', 'D', 'E', 'G']
# bridge key value example 3
# DURATION_SET = ['0.25', '0.5', '1.0', '2.0', '4.0']
# DUR_LEAST = 0.25
# DUR_LONGEST = 4.0
# DUR_PREV_DIFF = 4.0
# DUR_RATIONAL = True
# DUR_TUPLET = False
# REST_NOTE_LINE_OFFSET = 0.0
# TONES_ON_KEY = True
# TONE_PREV_INTERVAL = 5
# TONE_RANGE_BOTTOM = A4
# TONE_RANGE_TOP = E5
# TONE_SCALE_SET = ['A', 'C', 'D', 'E']
# bridge key value example 5
# DURATION_SET = ['0.25', '0.5', '1.0']
# DUR_LEAST = 0.25
# DUR_LONGEST = 1.0
# DUR_PREV_DIFF = 4.0
# DUR_RATIONAL = True
# DUR_TUPLET = False
# REST_NOTE_LINE_OFFSET = 3.0
# TONES_ON_KEY = False
# TONE_PREV_INTERVAL = 11
# TONE_RANGE_BOTTOM = D4
# TONE_RANGE_TOP = C#5
# TONE_SCALE_SET = ['A', 'C#', 'D', 'F', 'G']
# bridge key value example 7
# DURATION_SET = ['0.25', '0.5', '0.75', '1.0', '1.5', '1/24', '1/3', '1/5', '1/6', '2.0', '2/3', '2/5', '3.0', '4/5']
# DUR_LEAST = 1/24
# DUR_LONGEST = 3.0
# DUR_PREV_DIFF = 12.0
# # DUR_RATIONAL = False
# DUR_RATIONAL = True
# DUR_TUPLET = False
# # DUR_TUPLET = True
# REST_NOTE_LINE_OFFSET = 3.25
# TONES_ON_KEY = False
# TONE_PREV_INTERVAL = 12
# TONE_RANGE_BOTTOM = G4
# TONE_RANGE_TOP = C6
# TONE_SCALE_SET = ['A', 'B', 'B-', 'C', 'D', 'E', 'E-', 'F', 'G']
# bridge key value example mozart-k156
DURATION_SET = ['0.25', '0.5', '1.0', '1.5']
DUR_LEAST = 0.25
DUR_LONGEST = 1.5
DUR_PREV_DIFF = 6.0
DUR_RATIONAL = True
DUR_TUPLET = False
REST_NOTE_LINE_OFFSET = 0.0
TONES_ON_KEY = False
TONE_PREV_INTERVAL = 16
TONE_RANGE_BOTTOM = C3
TONE_RANGE_TOP = G5
TONE_SCALE_SET = ['A', 'B', 'B-', 'C', 'C#', 'D', 'D#', 'E', 'F', 'F#', 'G', 'G#']
[song_outro]
# The outro (also called a "coda") is usually only used once at the end.
# The outro or conclusion is a way of finishing or completing the song.
# It signals to the listeners that the song is nearing its close.
# if a song just ended at the last bar of a section, such as on the last verse or the last chorus,
# this might feel too abrupt for listeners.
# outro key value example 1
# DURATION_SET = ['0.25', '0.5', '0.75', '1.0', '2.0', '3.0', '4.0']
# DUR_LEAST = 0.25
# DUR_LONGEST = 4.0
# DUR_PREV_DIFF = 12.0
# DUR_RATIONAL = True
# DUR_TUPLET = False
# REST_NOTE_LINE_OFFSET = 0.0
# TONES_ON_KEY = True
# TONE_PREV_INTERVAL = 3
# TONE_RANGE_BOTTOM = C5
# TONE_RANGE_TOP = F5
# TONE_SCALE_SET = ['C', 'D', 'E', 'F']
# outro key value example mozart-k156
DURATION_SET = ['0.25', '0.5', '1.0', '1.5']
DUR_LEAST = 0.25
DUR_LONGEST = 1.5
DUR_PREV_DIFF = 4.0
DUR_RATIONAL = True
DUR_TUPLET = False
REST_NOTE_LINE_OFFSET = 0.5
TONES_ON_KEY = False
TONE_PREV_INTERVAL = 16
TONE_RANGE_BOTTOM = E3
TONE_RANGE_TOP = C5
TONE_SCALE_SET = ['A', 'B', 'B-', 'C', 'D', 'E', 'F', 'G', 'G#']